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The Queen’s Gamble – author interview- Barbara Kyle

Quenn's Gamble Book Tour

Join Barbara Kyle, author of the historical novel, The Queen’s Gamble (Kensington Books, August 30, 2011) as she virtually tours the blogosphere in September on her first virtual book tour with Pump Up Your Book!

About Barbara Kyle

Barbara Kyle is the author of the Tudor-era “Thornleigh” series of novels, which have been published internationally: The Queen’s Captive, The Queen’s Lady, and The King’s Daughter, praised by Publishers Weekly as “a complex and fast-paced plot, mixing history with vibrant characters.” Her new novel, The Queen’s Gamble, will be released on 30 August 2011.

Barbara previously won acclaim for her contemporary novels under pen name ‘Stephen Kyle’, including Beyond Recall (a Literary Guild Selection), After Shock and The Experiment. Over 400,000 copies of her books have been sold.

Barbara has taught courses for writers at the University of Toronto School of Continuing Studies, and is known for her dynamic workshops for many writers organizations. Her popular series of video workshops “Writing Fiction That Sells” is available through her website. Before becoming an author, Barbara enjoyed a twenty-year acting career in television, film, and stage productions in Canada and the U.S.

Visit www.BarbaraKyle.com.

About The Queen’s Gamble

Young Queen Elizabeth I’s path to the throne has been a perilous one, and already she faces a dangerous crisis. French troops have landed in Scotland to quell a rebel Protestant army, and Elizabeth fears that once they are entrenched on the border, they will invade England.

Isabel Thornleigh has returned to London from the New World with her Spanish husband, Carlos Valverde, and their young son. Ever the queen’s loyal servant, Isabel is recruited to smuggle money to the Scottish rebels. Yet Elizabeth’s trust only goes so far—Isabel’s son will be the queen’s pampered hostage until she completes her mission. Matters grow worse when Isabel’s husband is engaged as military advisor to the French, putting the couple on opposite sides in a deadly cold war.

Set against a lush, vibrant backdrop peopled with unforgettable characters and historical figures, The Queen’s Gamble is a story of courage, greed, passion, and the high price of loyalty…

 

Author Barbara Kyle

 

Interview

 

Q:  Give us an example of a typical writing day.

 

Early morning, around 7:00, is for answering emails. It’s a joy to hear how my books have touched readers, and hear what they’re up to. I happily reply to each note. This is also the time when I post updates on my Facebook Author Page and post on Twitter. I love Twitter, love checking out the fascinating links that other authors and book-business people post, so I have to cut myself off at 9:00 a.m.

 

The rest of the morning I spend on “fixing” – re-writing — whatever scene I wrote the day before. I enjoy this process and could fix all day, so again I have to cut myself off at noon.

 

The afternoon is the challenging part of the day: it’s for creating the next “bit”. I need that morning of re-writing to build up momentum for the afternoon creating. I strive to write 4 to 5 new pages a day, but I rarely accomplish that. Usually it’s 3 to 3 1/2.

 

Q:  Do you write on a computer or with pen/pencil and paper?

 

Computer, always. I couldn’t read my own handwriting! But I do constantly jot down notes about anything and everything, big and small: from a change of word in a dialogue exchange I’ve written, to a change of the turning point in a whole scene. I keep these hand-written notes in a folder on my desk and continually re-read them, discarding each one as I’ve incorporated the note into the draft.

 

Q:  Do you work from an outline?

Always. I can’t imagine working any other way – it would be like building a house without a blueprint. In fact, the most helpful tip I can offer any emerging writer is: take the time to write an outline. Take a long time. The outline is where the heavy lifting of creation takes place: the invention of your characters and plot. I spend four or five months writing my outlines, while concurrently doing research. (John Grisham says he works for up to six months on his.) I call the outline a Storyline, because as writers we must never forget that we’re telling a story. In the workshops for writers that I give, I love to teach the principles of outlining. I did a video on this subject in my series of online workshops called “Writing Fiction That Sells.” Anyone interested can watch a clip on my website: www.barbarakyle.com.

 

Q:  What’s next for you?

 

I’m working on Book #5 in my Tudor-era “Thornleigh” series. (The Queen’s Gamble is Book #4.) I have a contract with my wonderful publisher, Kensington Books, for three more in this series, so I’m deep into the next one. It features Mary Queen of Scots, at the moment she escapes captivity in Scotland and takes sanctuary in England, naively expecting Queen Elizabeth, who was her cousin, to help her. Little did she know what a crisis her presence would cause Elizabeth.

 

 

Q:  What are a few of your favorite genres and why?

 

I enjoy many genres, from Joanna Trollope’s wonderful domestic dramas to big adventure sagas (last month I re-read James Clavell’s “Shogun”) to historical fiction like David Mitchell’s brilliant “The Thousand Autumns of Jacob de Zoet.”

 

I also enjoy biographies; recently I read a door-stopper bio of Charles Dickens. And I read a lot of non-fiction. I just finished Adam Hochschild’s “To End All Wars,” a stunning and heartbreaking book about the insanity of World War I and the brave Brits who refused to fight and went to jail for it. Hochschild is such a fine writer I’ve just started his “Bury the Chains” about the anti-slavery movement in the 18th century.

 

 

 

Q:  Time Frame: From start to finish

 

I’m under contract to produce a book a year, so I have to carefully manage my writing time. When I start a new book I work for 4 or 5 months on the outline, while concurrently doing research. As Hemingway famously said, “The first draft of anything is sh*t” so I try to write my first draft as quickly as possible, to just get it done. That takes about 4 more months. Then, the really pleasurable work begins: the second draft. (As I said, I love to fix.)  I spend a month or so on that. Then, the last few weeks before my deadline is for an intense, quick polish. Then I send the manuscript to my superb editor, Audrey LaFehr. After she gives me her notes, I do another draft that incorporates her suggestions – another month or so. The book then goes into production, which takes about 9 months. Then, voila, it’s in the stores – and by that time I’m deep into writing the next book!

 

 

The Paris Wife – Author Interview, Excerpt – Paula McLain

The Paris Wife Virtual Book Tour

Paperback Writer welcomes Paula McLain, author of the historical novel, The Paris Wife. Find out about her typical writing day and what her morning smells like?

About the Author

Paula McLain received an MFA in poetry from the University of Michigan and has been a resident of Yaddo and the MacDowell Colony. She is the author of two collections of poetry, as well as a memoir, Like Family, and a first novel, A Ticket to Ride. She lives in Cleveland with her family. You can visit Paula McLain’s website to learn more about The Paris Wife at www.pariswife.com.

Visit Pauls’ tour page at Pump Up Your Book

Purchase the book at Amazon;

About The Paris Wife

A deeply evocative story of ambition and betrayal, The Paris Wife captures a remarkable period of time—Paris in the twenties—and an extraordinary love affair between two unforgettable people: Ernest Hemingway and his wife Hadley.

In Chicago in 1920, Hadley Richardson is a quiet twenty-eight-year-old who has all but given up on love and happiness—until she meets Ernest Hemingway and finds herself captivated by his good looks, intensity, and passionate desire to write. Following a whirlwind courtship and wedding, the pair set sail for Paris, where they become the golden couple in a lively and volatile group of expatriates that includes Gertrude Stein, Ezra Pound, and F. Scott and Zelda Fitzgerald.

But the hard-drinking and fast-living café life does not celebrate traditional notions of family and monogamy. As Hadley struggles with jealousy and self-doubt and Ernest wrestles with his burgeoning writing career, they must confront a deception that could prove the undoing of one of the great romances in literary history.

Welcome to Paperback Writer, Paula and thanks for stopping by on your virtual book tour with Pump Up Your Book.

It’s my pleasure to be here.

Q:  Give us an example of a typical writing day.

After my younger kids (4 and 6) are off to school and preschool, and the house smells like waffles and syrup, I usually dig right in by rereading what I’ve done the day before. If I’m not loving that I’ll try to move on anyway, and keep things moving forward. That can be hard, when the first impulse is to delete, delete, delete! I usually work until 2, and then run errands or buzz quickly to the gym before I have to meet my daughter’s bus at 3:30.

Q:  Do you write on a computer or with pen/pencil and paper?

 

I write on a sleek little Mac laptop. I have writer friends who do whole drafts longhand, and I find that beautiful and admirable, but I know it wouldn’t work with my process. I seem to need to do an awful lot of futzing around with sentences, and I just don’t think I have the patience to do that longhand.

Q:  Biggest Pet Peeve about the writing life.

It can be frustrating to work your heart out writing a book, and love it, and want it to have a great life, and then have it land in the world without even the slightest noise. Don’t get me wrong, I’m endlessly grateful to have the career I’ve had, but I’ve gotten many, many royalty statements with numbers in the negative column, and that’s tough.

Q:  Worst rejection you’ve ever received?

When I was between agents and searching like crazy for representation for my first novel, I had an agent (very well known, though I won’t name names) leave me a voicemail rejection saying that she found my characters deeply disturbing, and that they left a bad taste in her mouth. My characters. I wanted to run out into the street!

Q:  Do you have a writer’s studio? Describe it for us and what is the view you see from the window?

My desk is in my living room, surrounded by windows and overlooking a playground where children shriek on the swing set. Was it Joyce Carol Oates who said she liked her desk to face a wall so that her imagination might be more fully engaged? I need windows!

Q:  Time Frame: From start to finish

The first draft came like gangbusters, in seven months or thereabouts. It needed two more drafts, which were a little wilier and more resistant. About two years all told.

Read the Excerpt!

The very first thing he does is fix me with those wonderfully brown eyes and say, “It’s possible I’m too drunk to judge, but you might have something there.”
It’s October 1920 and jazz is everywhere. I don’t know any jazz, so I’m playing Rachmaninoff. I can feel a flush beginning in my cheeks from the hard cider my dear pal Kate Smith has stuffed down me so I’ll relax. I’m getting there, second by second. It starts in my fingers, warm and loose, and moves along my nerves, rounding through me. I haven’t been drunk in over a year–not since my mother fell seriously ill–and I’ve missed the way it comes with its own perfect glove of fog, settling snugly and beautifully over my brain. I don’t want to think and I don’t want to feel, either, unless it’s as simple as this beautiful boy’s knee inches from mine.
The knee is nearly enough on its own, but there’s a whole package of a man attached, tall and lean, with a lot of very dark hair and a dimple in his left cheek you could fall into. His friends call him Hemingstein, Oinbones, Bird, Nesto, Wemedge, anything they can dream up on the spot. He calls Kate Stut or Butstein (not very flattering!), and another fellow Little Fever, and yet another Horney or the Great Horned Article. He seems to know everyone, and everyone seems to know the same jokes and stories. They telegraph punch lines back and forth in code, lightning fast and wisecracking. I can’t keep up, but I don’t mind really. Being near these happy strangers is like a powerful transfusion of good cheer.
When Kate wanders over from the vicinity of the kitchen, he points his perfect chin at me and says, “What should we name our new friend?”
“Hash,” Kate says.
“Hashedad’s better,” he says. “Hasovitch.”
“And you’re Bird?” I ask.
“Wem,” Kate says.
“I’m the fellow who thinks someone should be dancing.” He smiles with everything he’s got, and in very short order, Kate’s brother Kenley has kicked the living room carpet to one side and is manning the Victrola. We throw ourselves into it, dancing our way through a stack of records. He’s not a natural, but his arms and legs are free in their joints, and I can tell that he likes being in his body. He’s not the least shy about moving in on me either. In no time at all our hands are damp and clenched, our cheeks close enough that I can feel the very real heat of him. And that’s when he finally tells me his name is Ernest.
“I’m thinking of giving it away, though. Ernest is so dull, and Hemingway? Who wants a Hemingway?”
Probably every girl between here and Michigan Avenue, I think, looking at my feet to keep from blushing. When I look up again, he has his brown eyes locked on me.
“Well? What do you think? Should I toss it out?”
“Maybe not just yet.”
A slow number starts, and without asking, he reaches for my waist and scoops me toward his body, which is even better up close. His chest is solid and so are his arms. I rest my hands on them lightly as he backs me around the room, past Kenley cranking the Victrola with glee, past Kate giving us a long, curious look. I close my eyes and lean into Ernest, smelling bourbon and soap, tobacco and damp cotton–and everything about this moment is so sharp and lovely, I do something completely out of character and just let myself have it.

Thanks for visiting!

The Sandalwood Tree Virtual Book Tour starring author Elle Newmark

Join Elle Newmark, author of the historical fiction novel, The Sandalwood Tree (Atria), as she virtually tours the blogosphere in March, April and May on her second virtual book tour with Pump Up Your Book!

 

Author Elle Newmark

About Elle Newmark

Elle Newmark is an author whose books are inspired by her ravels. Her work has been published into 16 languages and she lives in the hills north of San Diego with her husband, a retired physician. She has two grown children and five grandchildren.

To find out more about Elle or learn about her books visit http://ellenewmark.com

Visit her tour page at Pump Up Your Book!

Purchase her book at Amazon;

The Sandalwood Tree Virtual Book Tour

About The Sandalwood Tree

From incredible storyteller and nationally bestselling author Elle Newmark comes a rich, sweeping novel that brings to life two love stories, ninety years apart, set against the backdrop of war-torn India.

In 1947, an American anthropologist named Martin Mitchell wins a Fulbright Fellowship to study in India. He travels there with his wife, Evie, and his son, determined to start a new chapter in their lives. Upon the family’s arrival, though, they are forced to stay in a small village due to violence surrounding Britain’s imminent departure from India. It is there, hidden behind a brick wall in their colonial bungalow, that Evie discovers a packet of old letters that tell a strange and compelling story of love and war involving two young Englishwomen who lived in the very same house in 1857.

Drawn to their story, Evie embarks on a mission to uncover what the letters didn’t explain. Her search leads her through the bazaars and temples of India as well as the dying society of the British Raj. Along the way, a dark secret is exposed, and this new and disturbing knowledge creates a wedge between Evie and her husband. Bursting with lavish detail and vivid imagery of Bombay and beyond, The Sandalwood Tree is a powerful story about betrayal, forgiveness, fate, and love.

Book Excerpt

When I found the hidden letters, I had just finished an assault on the kitchen window. I squeezed out the sponge and stood back, squinting with a critical eye. A yellow sari converted to curtains framed the blue sky and distant Himalayan peaks, which were now clearly visible through the spotless window, but the late-afternoon sun spotlighted a dirty brick wall behind the old English cooker. The red brick had been blackened by a century of oily cooking smoke and, just like that, I decided to roll up my sleeves and give it a good scrub. Rashmi, our ayah, deigned to wipe off a table or sweep the floor with a bunch of acacia branches, but I would never ask her to tackle a soot-encrusted wall. A job like that fell well beneath her caste, and she would have quit on the spot.
The university chose that bungalow for us because it had an attached kitchen instead of the usual cookhouse out back. I liked the place as soon as I walked into the little compound full of tangled grass and pipal trees with creepers twisting around their trunks. A low mud-brick wall, overgrown with Himalayan mimosa, circled our compound with its hundred-year-old bungalow and vine-clad verandah, and an old sandalwood tree, with long oval leaves and pregnant red pods, presided over the front of the house. Everything had a weathered, well-used look, and I wondered how many lives had been lived there.

Off to one side of the house, a path bordered by scrappy box-wood led to the godowns for the servants, a dilapidated row of huts, far more of them than we would ever need for our small staff. At the far end of the godowns a derelict stable nestled in a grove of deodars, and Martin talked about using it to park our car during the monsoon. Martin had bought a battered and faded red Packard convertible, which had been new and snazzy in 1935 but had seen twelve monsoons and too many seasons of neglect. Still, the jalopy ran, I had a bicycle, Billy had his Red Flyer wagon, and that’s all we needed.

The remains of the old cookhouse still stood around back, listing under a neem tree, a bare little shack with a dirt floor, one sagging shelf, and a square of mud bricks with a hole in the center for wood or coal. Indians didn’t cook inside colonial houses—a fire precaution and some complicated rules having to do with religion or caste—and it must have been some very unconventional colonials who decided to attach a kitchen to the main house and install
a cooker, bless their hearts.

I hired our servants myself, choosing from a virtual army that lined up for interview. They presented their chits—references— and since most of them couldn’t read English they didn’t realize that the bogus chits they had bought in the bazaar might be signed by Queen Victoria, Winston Churchill, or Punch and Judy. The only chit I could be absolutely sure was authentic said, “This is the laziest cook in all India. He strains the milk through his dhoti and
he will rob you blind.”

In the end we had a scandalously small staff—a cook, an ayah, and a dhobi who picked up our laundry once a week in silent anonymity. At first, we’d also had a gardener, a sweeper, and a bearer—a more typical arrangement—but that many servants made me feel superfluous.
I particularly disliked having a bearer, a sort of majordomo who trailed around after me, doing my bidding or passing my orders on to the other servants. I felt helpless as a caricature of a nineteenth-century memsahib, swooning on a daybed. Our bearer had been trained in British households and would wake Martin and me in the morning with a tradition called “bed tea.” The first time I opened my eyes to see a dark, turbaned man standing over me with a tray it scared me out of my wits. He also served our meals and stood behind us while we ate; it felt like sitting in a
restaurant with an eavesdropping waiter, and I was painfully conscious of our conversation and my table manners. I found myself delicately dabbing the corners of my mouth and keeping my spine straight. I could see that Martin felt it, too, and meals became an uncomfortable chore.
I didn’t want “bed tea,” I didn’t want a bearer—always there, always hovering—and I enjoyed feeling useful. So I kept our little house clean and watered the plants on the verandah myself. I liked the natural jungly look around the bungalow, and the notion of having a gardener struck me as absurd. Martin told me the expatriate community was appalled by our lack of servants. I said, “So?”
I kept the cook, Habib, because I didn’t recognize half the things in the market stalls, and since I didn’t speak Hindi, the price of everything would have tripled. I kept Rashmi, our ayah, because I liked her and she spoke English.

When I first met Rashmi, she greeted me with a formal bow, her hands in an attitude of prayer. She said, “Namaste,” and then began giggling and clapping, making her chubby arms jiggle and
her gold bangles jangle. She asked, “From what country are you coming?
I said, “America,” wondering if it was a trick question.
“Oooh, Amerrrica! Verryy nice!” The ruby in her right nostril twinkled.
Rashmi deeply disapproved of a household with so few servants. Whenever she saw me beating a rug or cleaning the bathroom she would hold her cheeks and shake her head, her eyes round and alarmed. “Arey Ram! What madam is doooiiing?” I tried to explain that I liked to keep busy, but Rashmi would stomp around the house mumbling and shaking her head. Once I heard her say, “Amerrrican,” as if it were a diagnosis. She started sweeping up with neatly tied acacia branches and taking out the garbage. I had no idea where she took it, but it seemed to make her happy to do it.

Whenever I thanked Rashmi for something, she would waggle her head pleasantly and say, “My duty it is, madam.” I wished Martin and I could accept our lot so easily.
My beautiful Martin had come home from the war with a shrouded, chaotic underside, wanting everything as neat as an army cot. It was about control, I know that, but he drove me nuts, picking at imaginary lint on my clothing and lining up our shoes side by side on the closet floor, like a row of soldiers snapped to attention. At first I complied and kept everything shipshape, simply because we didn’t need yet another thing to argue about. But I soon discovered that ordering furniture and annihilating dust gave me a fragile sense of control—Martin was on to something there—and I enjoyed imposing my antiseptic standards on India, keeping my little corner of the universe as predictable as gravity. When this altered Martin came home from Germany, straightening books on the shelf and buffing his shoes until they screamed, he often complained of a metallic taste in his mouth, rushing off to brush his teeth five times a day. I didn’t know what he tasted, but I did know he had nightmares. He twitched in his sleep, muttering disjointed bits about “skeletons” and calling out names of people I didn’t know. Some nights he’d shout in his sleep, and I’d spring up, shocked and scared. I’d dry the sweat from his face with the sheet and kiss the palms of his hands while his breathing calmed and my heart slowed. His skin would be clammy and he’d be trembling, and I’d rock him and croon in his ear, “It’s all right. I’m here.”
After a while, when it seemed safe, I’d say, “Sweetheart, talk to me. Please.”
Sometimes he’d talk a little, but only about the language or the landscape or the guys in his platoon. He said it bothered him that German sounded so much like the Yiddish of his grandparents; then he shook his head as if he was trying to understand something.
He told me that Germany was littered with castles and fairy-tale villages, all blasted to hell. He said the soldiers in his platoon were an unlikely bunch thrown together by war, men who would not otherwise have met. Martin, a budding historian, bunked with a fast-talking mechanic from Detroit named Casino. Also in his barracks were an American Indian named William Who Respects Nothing, and a Samoan named Naikelekele, whom the men called
Ukulele. Martin said they were OK guys, but a CPA from Queens named Polanski—Ski to the guys—had the wide slab face and flat blue eyes behind too many of the pogroms mounted against the Jews, and Martin had to keep reminding himself that they were on the same side.
But Ski cheated at cards and had a nascent anti-Semitic streak. Martin said, “Of all the decent guys in that platoon I had to haul Ski back to a field hospital while better men lay dead around us.”

His ambivalence about saving Ski haunted him, but it wasn’t the thing eating at him like acid.
One night, in bed, after having had an extra glass of wine with dinner, Martin knit his fingers behind his head and told me about a mess sergeant from the hills of Appalachia, Pete McCoy, who made a crude liquor with pilfered sugar and yeast and canned peaches. Pete had served an informal apprenticeship at his father’s still, deep in the woods of West Virginia, and in a rare, lighthearted moment, Martin did a skillful imitation. He drawled, “Ah know it ain’t legal.
But mah daddy’s gonna quit soon as he gits a chance.”
I said, “The nightmares aren’t about Pete McCoy’s moonshine.”
“Hey, you didn’t taste that stuff. Burned like a son-of-a-bitch going down.” His voice became abstract. “But sometimes the moonshine was necessary, like when Tommie . . . Well, anyway, McCoy was like the medic who brought the morphine.”
I said, “Who was Tommie?”
Martin looked away. “Ah, you don’t want to hear that stuff.”
“But I do. Talk to me. Please.”
He hesitated, then, “Nah. Go to sleep.” He patted my hand and rolled away.
World War II veterans were icons of heroism, brave liberators, and most of them were glad to leave the ugliness buried under the war rubble and get back to a normal life, or try to. But Martin had come home with invisible wounds, and our normal life was as ruined as the German landscape. I wanted to understand. I’d been begging him to talk for two solid years, but he wouldn’t budge. He wouldn’t let me help him, and I felt worn to a stump from trying.
That business of rolling away from me in bed hurt, but by
the time we got to India, I was doing it, too. I was becoming as frustrated as he was tormented, and we took our pain out on each other. We hid in our respective corners until something brought us out with fists raised.

I couldn’t fix our insides, so I fixed our outside. I prowled around the bungalow searching for dust mites to exterminate, mold to slaughter, and smudges to wipe out. I vanquished dirt and disorder wherever I found it and it helped, a little. The morning I found the letters, I’d filled a pail with hot soapy water and pounced on the sooty bricks behind the old cooker with demented determination. I described foamy circles on the wall with my brush and . . . what? One brick moved. That was odd. Nothing in that house ever rattled or came loose; the British colonials who built the place had expected to rule India forever.

I put the brush down and forced my fingernails into the crumbling mortar around the loose brick, then wiggled it back and forth until it came out far enough for me to get a grip on it. I teased the brick out of the wall and felt a thrill of discovery when I saw, hidden in the wall, a packet of folded papers tied with a faded and bedraggled blue ribbon. That packet reeked of long-lost secrets, and I felt a smile lift one corner of my mouth. I set the blackened brick on the floor and reached in to lift my plunder out of the wall. But on second thought, I went to the sink first to wash the soot from my hands.

With clean, dry hands, I eased the packet out of its hiding place, blew the dust from its crevices, then laid it on the kitchen table and pulled the ribbon loose. When I opened the first sheet, the folds seemed almost to creak with age. Gently now, I smoothed the fragile paper out on the table and it crackled faintly. It was ancient and brittle, the edges wavy and water-stained. It was a letter written on thin, grainy parchment, and feminine handwriting rose and swooped across the page with sharp peaks and curling flourishes. The writing was in English, and the way it had been concealed in the wall hinted at Victorian intrigue.

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The Power of the Blue Medallion – author interview – Les Berman

About The Power of the Blue Medallion

This Captivating novel follows the wild adventures of three charismatic
young aliens from the distant planet Hebutar, and their companion on
Earth. Zytor, the son of the ruler of Hebutar, is determined to stop a group
of terrorists from causing chaos in the United States. Against
his father’s wishes, Zytor travels to Earth and meets a young girl, Tandy,
whose father was killed by terrorists. Zytor’s sister Phelena, a Captain in
the Hebutarian Military and a fellow soldier, are dispatched by her father
to bring Zytor back to Hebutar before he mingles into the affairs of Planet
Earth. While tracking down the terrorist, Zytor gets his medallion stolen (a powerful weapon), forcing him to team up with his sister and devise plans to retrieve the medallion, and help authorities stop the evil terrorists from executing
a terrible attack in Washington D.C.

Interview

Q: Do you write on a computer or with pen/pencil and paper?

A: I only use a computer when writing. My handwriting is so bad I sometimes can’t decipher my own scribble.

Q: Do you work from an outline?

A: In writing this novel, I was able to just sit at the computer and the plot just materialized as I typed out the chapters. I definitely would not reject the idea of outlining future writings.

Q: Nicest rejection you’ve ever received?

A: I received an e-mail from an agent in New York who raved about my adding math problems for High School Students related to the story. Unfortunately he said he was unable to take me on as client at this time. He further encouraged me to send out hundreds of queries to agents and publishers.

Q: Where do you see yourself in 10 years?

A: I see myself on the golf course thinking up evil plots after shanking my drive into the woods.

Q: What are a few of your favorite genres and why?

A: I very much enjoy reading thrillers and mystery novels. Especially, those that have an intricate plot that keeps me in suspense.

Q: In writing your book/novel if you could do it again what would you do differently?

A: I would use a speech recognition software program rather than type into the computer. My spelling is so bad I would have finished the novel in half the time if I had this software.

About Les Berman

Raised in Southern California, Les Berman earned his bachelor degree in Sociology with a minor in Math from Long Beach State University, and a Masters in Education from Pepperdine University.  Currently retired from the ABC Unified School District, Les also volunteers his time coaching young track and field athletes for a private club in Long Beach California. Les has coached many International and Olympic Athletes over the past forty years, and has been selected as a United States International Coach four times throughout his career.

Les can be found at www.NovelWithMath.com

and www.ThePowerOfTheBluemedallion.com

Loving God With All Your Heart – author interview – Susie Hobson

About Loving God With All Your Heart

Are you satisfied with your daily life? Do you run more on empty than full? Do you always feel like there is more out there for you? This book will take you deeper into your heart’s desire for a real relationship with God, a powerful relationship that will transform your whole life! Susie Hobson reminds us that the love we all long for begins and ends with a life that is surrendered to Jesus. From her real experience she offers practical application of communing with God through His Word to inspire and encourage a closer walk, resulting in empowerment for faithful living. Susie gives a clear path to the fulfillment of the greatest desire of man’s heart—God’s unfailing love as the foundation for wisdom and serving God in our homes and community. This book, Loving God With All Your Heart should fill a real need among families who long for a Biblical order in the home. Susie’s testimony is absorbing.

Read the Excerpt

Are you one of those who want more? Increasingly, I hear the same statement over and over again: “Susie, I want more!” There is a desire in all of us for something that people, places, possessions, fame and fortune cannot fill. What is that elusive need, that heart’s desire we all seem to crave? I am convinced that it is a real relationship with God – a powerful relationship!

Interview with Susie Hobson

Q: Do you write on a computer or with pen/pencil and paper?

A: I write on the computer. I started with pen and paper some years ago but found that by going ahead and writing on the computer I could save time and duplication. Also, corrections come much easier and research can be a snap when you have the world wide web right there and available. Now I just “think” better with a computer screen in front of me.

Q: Do you work from an outline?

A: Yes, I tend to outline an idea and collect my thoughts in chapter form. This gives me perspective and a workable time-line/goal as well as a good starting point.

Q: What’s next for you?

A: I’m just finishing a recipe book, Make Okra Not War, about my growing up years in a small town in Alabama, named Enterprise. My parents and grandparents were all from there and we knew most everyone in town. Both my grandmother and mother were amazing cooks (my grandmother from the old ways and my mother from the “casserole” and quicker methods) and when they both recently passed I ended up with their recipe books and also all my memories of growing up in the south in the culture clash/crash times of the 60’s and 70’s. Put them together and you have got my new book.

I’m also working on a history book with a completely different slant – it’s a subject that has not been covered in depth before and I’m keeping it to myself right now – so I’m sorry, but I can’t talk about it! Ask me again in a year!

Q: Who is your favorite author?

A: I have several. Catherine Marshall is possibly my most favorite and she wrote one of my favorite books, A Man Called Peter. Her book, Julie, is also very good. I love David McCullough’s history books. Jan Karon’s Mitford Series is wonderful. Agatha Christie is a long time favorite and always entertaining. Jane Austen, Daphne Du Maurier, John Grisham, Anne George, and Clive Cussler come to mind.

Q: What are a few of your favorite genres and why?

A: Christian books are my daily staple. I have some that I keep handy and read daily/weekly. I had a very traumatic and evil conversion experience and I don’t think you ever go through what I did and walk away as if it were no big deal. The spiritual world is real and here and now and knowing what I know—I take my Christianity seriously (happily/joyfully, but seriously). I read my Bible daily and substantially. I read Oswald Chambers, His Utmost for His Highest, daily devotion on a regular basis (so full of great insight and wisdom). I frequently read In His Steps by Charles Sheldon (I want to think like that!). Andrew Murray’s books on prayer are powerful selections and have helped my prayer life immensely. George Muller’s life story is powerful in faith and I always want to live like that. Billy Graham is one of my favorites as well and his Just As I Am tells a story that I believe could be true for so many of us if we would be willing to follow God–just as we are.

Q: Do you have a writer’s studio? Describe it for us and what is the view you see from the window?

A: I write at home in my study. The study is a book-lined formal room that is warm and inviting. It is on the front corner of our house and has two large windows that look out toward our front yard. We live in a neighborhood where a good many people like to walk for exercise in both the morning and afternoon hours which keeps my dog entertained. Other than the occasional bark, I work in silence.

Thank you Paperback Writer for your interest in my book Loving God with All Your Heart. I’ve enjoyed my visit with you!

About Susie Hobson

Susie Hobson has a B.A. in Special Education, M.S. in Rehabilitation Counseling from the University of Alabama, and carried a deaf / hearing-impaired and blind / vision-impaired caseload for 16 years. She retired for more time with family and to write as God has called her. She and her husband Rich have two daughters, Whitney and Amelia, live in Montgomery, and attend Lakeview Baptist Church.
Find out more about Loving God with All Your Heart at http://www.nordskogpublishing.com/book-loving-god-with-all-your-heart.shtml

Renters Win, Home Owners Lose: Revealing the Biggest Scam in America by Tom Graneau

click on the book cover to purchase

Join Tom Graneau, author of the nonfiction personal finance book Renters Win, Home Owners Lose: Revealing the Biggest Scam in America (Authorhouse July ‘09), as he virtually tours the blogosphere in August and September 2010 on his first tour with Pump Up Your Book Promotion!

About Tom Graneau

Tom Graneau was born in Dominica, a small island in the Caribbean with a population of roughly 70,000 people. When Tom was seventeen years old, he and his mother immigrated to the United States. After two years in the U.S., he became acutely aware of his need for an education and aggressively began finding a way to be in school.

During his fourteen years of service in the Navy, he became increasingly concerned about his financial situation. Things became worse when he left the service. His house went into foreclosure. With added pressure from credit card companies, he ultimately filed for Chapter 7 Bankruptcy.

Eventually, he found work as a Financial Management Consultant. In his last employment, Tom spent roughly ten years working as a financial management coach and educator. During that time, he conducted numerous workshops, presentations, and private consultation with members of the military, government employees, and others in the community.

Tom enjoyed working with his clients, but they caused him to wonder about the financial condition of Americans, as a whole. His research proved that money problems extend well beyond what most people are willing to admit or see.

In short, most Americans are broke. Various surveys have shown that roughly 90 percent of working Americans live from paycheck to paycheck, no matter how much money they make. In most cases, the problem is directly related to financial misconceptions, poor training, and lack of knowledge. Home ownership is one of the biggest financial misconceptions in personal finance. Hence the book, Renters Win, Home Owners Lose: Revealing the Biggest Scam in America.

You can visit Tom’s website at http://www.RentersWin.com

About Renters Win, Home Owners Lose

Tom Graneau, a financial management coach, pinpoints owning a home as the black hole for the American dollar. This timely masterpiece exposes the biggest shakedown in consumer spending—home ownership.
Driven by the American dream of grandeur and prosperity, buyers purchase their homes as “smart investments” when in actuality, the best they can hope to get is zero percent return. More commonly, owners lose an enormous amount of money on the deal, driving themselves even deeper into debt as they pour their hard-earned income in mortgage payments and maintenance costs.

In Renters Win, Home Owners Lose, Author Tom Graneau prudently shows readers how to avoid getting trapped in the biggest scam in the country, endorsed by national and local governments and the housing and mortgage industries. Tables, graphs, and various statistics are prominently laced throughout the book to expound the obvious, tangible advantages that renters have over anyone preparing to buy a home.
For those already owning a home—fear not. Graneau concludes by outlining winning strategies and solutions to make their experience a little more agreeable.

Renters Win, Home Owners Lose is a perfect eye-opener for renters, first-time home buyers, and those who plan to upgrade to a second or third home!

Live To Tell by Author Lisa Gardner – Book Excerpt

Join Lisa Gardner, author of the mystery novel, Live to Tell (Bantam July 2010), as she virtually tours the blogosphere in August on her first virtual book tour with Pump Up Your Book!

About Lisa Gardner

Lisa Gardner is the New York Times bestselling author of twelve novels. Her Detective D. D. Warren novels include The Neighbor, Hide, and Alone. Her FBI Profiler novels include Say Goodbye, Gone, The Killing Hour, The Next Accident, and The Third Victim. She lives with her family in New England, where she is at work on her next D. D. Warren novel, Save Me, which Bantam will publish in 2011.
You can find Lisa online at http://www.lisagardner.com

About Live to Tell

He knows everything about you—including the first place you’ll hide.
On a warm summer night in one of Boston’s working-class neighborhoods, an unthinkable crime has been committed: Four members of a family have been brutally murdered. The father—and possible suspect—now lies clinging to life in the ICU. Murder-suicide? Or something worse? Veteran police detective D. D. Warren is certain of only one thing: There’s more to this case than meets the eye.
Danielle Burton is a survivor, a dedicated nurse whose passion is to help children at a locked-down pediatric psych ward. But she remains haunted by a family tragedy that shattered her life nearly twenty-five years ago. The dark anniversary is approaching, and when D. D. Warren and her partner show up at the facility, Danielle immediately realizes: It has started again.
A devoted mother, Victoria Oliver has a hard time remembering what normalcy is like. But she will do anything to ensure that her troubled son has some semblance of a childhood. She will love him no matter what. Nurture him. Keep him safe. Protect him. Even when the threat comes from within her own house.
In New York Times bestselling author Lisa Gardner’s most compelling work of suspense to date, the lives of these three women unfold and connect in unexpected ways, as sins from the past emerge—and stunning secrets reveal just how tightly blood ties can bind. Sometimes the most devastating crimes are the ones closest to home.

Read an Excerpt!

Thursday night, Sergeant Detective D. D. Warren was out on a date. It wasn’t the worst date she’d ever been on. It wasn’t the best date she’d ever been on. It was, however, the only date she’d been on in quite some time, so unless Chip the accountant turned out to be a total loser, she planned on taking him home for a rigorous session of balance-the-ledger.
So far, they’d made it through half a loaf of bread soaked in olive oil, and half a cow seared medium rare. Chip had managed not to talk about the prime rib bleeding all over her plate or her need to sop up juices with yet another slice of bread. Most men were taken aback by her appetite. They needed to joke uncomfortably about her ability to tuck away plate after plate of food. Then they felt the need to joke even more uncomfortably that, of course, none of it showed on her girlish figure.
Yeah, yeah, she had the appetite of a sumo wrestler but the build of a cover girl. She was nearly forty, for God’s sake, and well aware by now of her freakish metabolism. She certainly didn’t need any soft- middled desk jockey pointing it out. Food was her passion. Mostly because her job with Boston PD’s homicide unit didn’t leave much time for sex.
She polished off the prime rib, went to work on the twice- baked potato. Chip was a forensic accountant. They’d been set up by the wife of a friend of a guy in the unit. Yep, it made that much sense to D.D. as well. But here she was, sitting in a coveted booth at the Hilltop Steakhouse, and really, Chip was all right. Little doughy in the mid¬dle, little bald on top, but funny. D.D. liked funny. When he smiled, the corners of his deep brown eyes crinkled and that was good enough for her.
She was having meat and potatoes for dinner and, if all went as planned, Chip for dessert.
So, of course, her pager went off.
She scowled, shoved it to the back of her waistband, as if that would make a difference.
“What’s that?” Chip asked, catching the chime.
“Birth control,” she muttered.
Chip blushed to the roots of his receding brown hair, then in the next minute grinned with such self-deprecating power she nearly went weak in the knees.
Better be good, D.D. thought. Better be a fucking massacre, or I’ll be damned if I’m giving up my night.
But then she read the call and was sorry she’d ever thought such a thing.
Chip the funny accountant got a kiss on the cheek.
Then Sergeant Detective D. D. Warren hit the road.
■■■
D.D. had been a Boston PD detective for nearly twelve years now. She’d started out investigating traffic fatalities and drug-related homi¬cides before graduating to such major media events as the discovery of six mummified corpses in an underground chamber; then, more recently, the disappearance of a beautiful young schoolteacher from South Boston. Her bosses liked to put her in front of the camera. Nothing like a pretty blonde detective to mix things up.
She didn’t mind. D.D. thrived on stress. Enjoyed a good pressure-cooker case even more than an all-you-can-eat buffet. Only drawback was the toll on her personal life. As a sergeant in the homicide unit, was the leader of a three-person squad. It wasn’t uncommon for them to spend all day tracking down leads, interviewing informants, or revisiting crime scenes. Then they spent most of the night writing up the resulting interviews, affidavits, and/or warrant requests. Each squad also had to take turns being “on deck,” meaning they caught the next case called in, keeping them stuck in a permanent vortex of top- priority active cases, still- unsolved old cases, and at least one or two fresh call- outs per week.
Didn’t sleep much. Or date much. Or really do anything much. Which had been fine until last year, when she’d turned thirty-eight and watched her ex- lover get married and start a family. Sud¬denly, the tough, brash sergeant who considered herself wed to her job found herself studying Good Housekeeping magazine and, even worse, Modern Bride. One day, she picked up Parenting. There was noth¬ing more depressing than a nearly forty-year-old single, childless homicide detective reading Parenting magazine alone in her North End condo.
Especially when she realized some of the articles on dealing with toddlers applied to managing her squad as well.
She recycled the magazines, then vowed to go on a date. Which had led to Chip—poor, almost- got-his-brains-screwed-out Chip—and now had her on her way to Dorchester. Wasn’t even her squad’s turn on deck, but the notification had been “red ball,” meaning something big and bad enough had happened to warrant all hands on deck.
D.D. turned off I-93, then made her way through the maze of streets to the largely working-class neighborhood. Among local offi¬cers, Dorchester was known for its drugs, shootings, and raucous neighborhood parties that led to more drugs and shootings. BPD’s local field district, C-11, had set up a noise reduction hotline as well as a designated “Party Car” to patrol on weekends. Five hundred phone tips and numerous preventive arrests later, Dorchester was finally seeing a decline in homicides, rapes, and aggravated assaults. On the other hand, burglaries were way up. Go figure.
Under the guidance of her vehicle’s navigational system, D.D. ended up on a fairly nice street, double lanes dotted with modest stamps of green lawn and flanked with a long row of tightly nestled three-story homes, many sporting large front porches and an occa¬sional turret.
Most of these dwellings had been carved into multiple-living units over the years, with as many as six to eight in a single house. It was still a nice-looking area, the lawns neatly mowed, the front-porch banis¬ters freshly painted. The softer side of Dorchester, she decided, more and more curious.
D.D. spotted a pileup of Crown Vics, and slowed to park. It was eight- thirty on a Thursday night, August sun just starting to fade on the horizon. She could make out the white ME’s vehicle straight ahead, as well as the traveling crime lab. The vans were bookended by the usual cluster of media trucks and neighborhood gawkers.

When D.D. had first read the location of the call, she’d assumed drugs. Probably a gangland shooting. A bad one, given that the deputy superintendent wanted all eighteen detectives in attendance, so most likely involving collateral damage. Maybe a grandmother caught sit¬ting on her front porch, maybe kids playing on the sidewalk. These things happened, and no, they didn’t get any easier to take. But you handled it, because this was Boston, and that’s what a Boston detec¬tive did.
Now, however, as D.D. climbed out of her car, clipped her creden¬tials to the waistband of her skinny black jeans, and retrieved a plain white shirt to button up over her date cleavage, she was thinking, Not drugs. She was thinking this was something worse. She slung a light jacket over her sidearm, and headed up the sidewalk toward the lion’s den.
D.D. pushed her way through the first wave of jostling adults and curious children. She did her best to keep focused, but still caught phrases such as “shots fired…” “heard squealing like a stuck pig . . .” “Why, I just saw her unloading groceries not four hours before . . .”
“Excuse me, excuse me, pardon me. Police sergeant. Buddy, out of the way.” She broke through, ducking under the yellow tape rop¬ing off portions of the sidewalk, and finally arrived at the epicenter of crime- scene chaos.
The house before her was a gray-painted triple-decker boasting a broad- columned front porch and large American flag. Both front doors were wide open, enabling better traffic flow of investigative person¬nel, as well as the ME’s metal gurney.
D.D. noted delicate lace curtains framed in bay windows on either side of the front door. In addition to the American flag, the porch con¬tained four cheerful pots of red geraniums, half a dozen blue folding chairs, and a hanging piece of slate that had been painted with more red geraniums and the bright yellow declaration: Welcome. Yep, definitely something worse than gun-toting, tennis-shoe-tossing drug dealers.
D.D. sighed, put on her game face, and approached the uniformed officer stationed at the base of the front steps. She rattled off her name and badge number. In turn, the officer dutifully recorded the info in the murder book, then jerked his head down to the bin at his feet.
D.D. obediently fished out booties and a hair covering. So it was that kind of crime scene.
She climbed the steps slowly, keeping to one side. They appeared recently stained, a light Cape Cod gray that suited the rest of the house. The porch was homey, well kept. Clean enough that she sus¬pected it had been recently broom swept. Perhaps after unloading groceries, a household member had tidied up?
It would’ve been better if the porch had been dirty, covered in dust. That might have yielded shoe treads. That might have helped catch whoever did the bad thing D.D. was about to find inside.
She took another breath right outside the door, inhaled the scent of sawdust and drying blood. She heard a reporter calling for a state¬ment. She heard the snap of a camera, the roar of a media chopper, and white noise all around. Gawkers behind, detectives ahead, re¬porters above.
Chaos: loud, smelly, overwhelming. Her job now was to make it right. She got to it.

Thursday Thirteen – Thirteen Things about Sally Koslow’s Books – With Friends Like These

Join Sally Koslow, author of the women’s fiction book, With Friends Like These (Ballantine Books August 2010), as she virtually tours the blogosphere in August on her first virtual book tour with Pump Up Your Book!

About With Friends Like These

When Quincy, Jules, Talia, and Chloe become New York City roommates in the early nineties, they become fast friends despite their drastically different personalities. Now, nearly twenty years later, their lives have diverged as much as they possibly can within one city: Quincy is mourning a miscarriage and lusting for the perfect Manhattan apartment; Jules, a woman with an outsize personality, is facing forty alone; Talia, married and the mother of a four-year-old, is her family’s reluctant breadwinner; and Chloe faces pressure from her hedge fund manager husband to be more ambitious. As these women grapple with the challenges of marriage, motherhood, careers, and real estate, they can’t help but assess their positions in life in comparison to each other–leading them to envy and disillusionment. Honest and entertaining, and written in Sally Koslow’s trademark wry, vivid prose, With Friends Like These asks serious questions about what makes female friendship endure, and to whom a woman’s loyalty most belongs.

13 Things about Sally Koslow’s Books

 Sally Koslow’s books….

  1. Will make you laugh
  2. …and possibly cry. In a good way. They have a lot of heart.
  3. Reveal flawed characters whose imperfection will remind you of your friends (and maybe even you.)
  4. Offer chewy insights about life.
  5. Might show you how to be a better friend (With Friends like These)…
  6. or how to live more fully in the present (The Late, Lamented Molly Marx)…and
  7. give you the inside-baseball of how a magazine runs (Little Pink Slips)
  8. Are excellent book club fodder, especially With Friends like These and The Late, Lamented Molly Marx
  9. Are built on the infrastructure of a mystery (The Late, Lamented Molly Marx) although the real mystery isn’t whodonit.
  10. Explore emotions associated with motherhood (The Late, Lamented Molly Marx and With Friends like These)
  11. Might teach you a Yiddish word or two,
  12. Yet always include references to the Midwest.
  13. May look like chick lit, but aren’t.

 

ABOUT SALLY KOSLOW:

SALLY KOSLOW is the author of The Late, Lamented Molly Marx and Little Pink Slips. Her essays have been published in More, The New York Observer, and O, The Oprah Magazine, among other publications. She was the editor in chief of both McCall’s and Lifetime, was an editor at Mademoiselle and Woman’s Day, and has taught creative writing at the Writing Institute of Sarah Lawrence College. Her latest release is With Friends Like These. The mother of two sons, she lives in New York City with her husband. You can visit Sally Koslow’s website at www.sallykoslow.com. 

Read an Excerpt!

Chapter One

Quincy
“A fax hit my desk for an apartment that isn’t officially listed yet–you must see it immediately.” Horton’s voice was broadcasting an urgency reserved for hurricane evacuation. But in 2007, anyone who’d ever beaten the real estate bushes would be suspicious of a broker displaying even an atom of passivity. Shoppers of condos and co-ops in Manhattan and the leafier regions of Brooklyn knew they had to learn the art of the pounce: see, gulp, bid. Save the pros and cons for picking a couch. Several times a week Horton e-mailed me listings, but rarely did he call. This had to be big. “Where is it?” I asked while I finished my lukewarm coffee.

“Central Park West.” Horton identified a stone pile known by its name, the Eldorado, referring to a mythical kingdom where the tribal chief had the habit of dusting himself with gold, a commodity familiar to most of the apartment building’s inhabitants—marquee actors, eminent psychotherapists, and large numbers of frumps who were simply lucky. With twin towers topped by Flash Gordon finials, the edifice lorded it over a gray-blue reservoir, the park’s largest body of water, and cast a gimlet eye toward Fifth Avenue.

“I couldn’t afford that building,” I said. If Horton was trying to game me into spending more than our budget allowed, he’d fail. While the amount of money Jake and I had scraped together for a new home seemed huge to us–representing the sale of our one-bedroom in Park Slope, an inheritance from my mom, and the proceeds from seeing one of my books linger on the bestseller list–other brokers had none too politely terminated the conversation as soon as I quoted our allotted sum. What I liked about Horton was that hewas dogged, he was hungry, and he was the only real estate agent returning my calls.

“That’s the beauty part,” he said, practically singing. “You, Quincy Blue, can afford this apartment.” He named a figure. We could, just. “What’s the catch?” In my experience, deals that sounded too good to be true were–like the brownstone I’d seen last week that lacked not only architectural integrity but functional plumbing.

“It’s a fixer-upper,” Horton admitted. “Listen, I can go to the second name on my list.”

“I’ll see you in twenty minutes,” I said, hitting “save” on my manuscript. I was currently the ghostwriter for Maizie May, one of Hollywood’s interchangeable blow-dried blondes with breasts larger than their brain. While she happened to be inconveniently incarcerated in Idaho rehab, allowed only one sound bite of conversation with me per week, my publisher’s deadline, three months away, continued to growl. I hid my hair under a baseball cap and laced my sneakers. Had Jake seen me, he would have observed that I looked very West Side; my husband was fond of pointing out our neighborhood’s inverse relationship between apartment price and snappy dress. As I walked east I called him, but his cell phone was off. Jake’s flight to Chicago must be late.

Racing down Broadway, I allowed myself a discreet ripple of anticipation. Forget the Yankees. Real estate would always be New York City’s truest spectator sport, and I was no longer content to cheer from the bleachers. Two years ago, my nesting hormones had kicked in and begun to fiercely multiply, with me along for the ride. We were eager to escape from our current sublet near Columbia University. I longed to be dithering over paint colors–Yellow Lotus or Pale Straw; flat, satin, or eggshell–and awash in fabric swatches. I coveted an office that was bigger than a coffee table book and a dining table that could accommodate all ten settings of my wedding china. I wanted a real home. I’d know it when I saw it.

Horton, green-eyed, cleft-chinned–handsome if you could overlook his devotion to argyle–stood inside the building’s revolving door. “The listing broker isn’t here yet,” he said, “but you can get a sense of the lobby.” A doorman tipped his capped head and motioned us toward armchairs upholstered in a tapestry of tasteful, earthy tones. Horton unfurled a floor plan.

I’d become a quick study of such documents. “It’s only a two-bedroom,” I said, feeling the familiar disappointment that had doused the glow of previous apartment visits. Was the fantasy of three bedrooms asking too much for a pair of industrious adults more than twelve years past grad school? Jake was a lawyer. I had a master’s in English literature. Yet after we’d been outbid nine times, Jake and I had accepted the fact that in this part of town, two bedrooms might be as good as it would get.

“This isn’t any two-bedroom,” Horton insisted. “Look how grand the living room and dining room are.” Big enough for a party where Jake and I could reciprocate every invitation we’d received since getting married five years ago. “See?” he said, pulling out a hasty sketch and pointing. “Put a wall up to divide the dining room, which has windows on both sides, and create an entrance here. Third bedroom.” He was getting to how cheap the renovation would be when a tall wand of a woman tapped him on the shoulder.

“Fran!” Horton said as warmly as if she were his favorite grandmother, which she was old enough to be. “You’re looking well.”

The woman smiled and a feathering of wrinkles fanned her large blue eyes. The effect made me think that a face without this pattern was too dull. “Did you explain?” she said. Her voice was reedy, a piccolo that saw little use. She’d pulled her silver hair into a chignon and was enveloped in winter white, from a cape covering a high turtleneck to slim trousers that managed to be spotless, although they nearly covered her toes.

“We were getting to that, but first, please meet my client, Quincy Blue. Quincy, Frances Shelbourne of Shelbourne and Stone.”

I knew the firm. Frances and her sister Rose had tied up all the best West Side listings. I shook Fran Shelbourne’s hand, which felt not just creamy but delicately boned. She stared at my sneakers and jeans long enough for me to regret them, then turned her back and padded so soundlessly that I checked to see if she might be wearing slippers. No, ballerina flats. Across the lobby, elaborately filigreed elevator doors opened. Fran turned toward Horton and me and with the briefest arch of one perfectly plucked eyebrow implored us to hurry. When the doors shut, she spoke softly, although we were alone. “The owner’s a dear friend,” she said. “Eloise Walter, the anthropologist.” She waited for me to respond. “From the Museum of Natural History?”

I wondered if I was supposed to know the woman’s body of work and bemoaned the deficiency of my Big Ten education.

“Dr. Walter is in failing health,” she continued, shaking her head. “This is why we won’t schedule an open house.” Every Sunday from September through May, hopeful buyers, like well-trained infantry, traveled the open-house circuit. Jake and I had done our sweaty time, scurrying downtown, uptown, across, and down again, with as many as a dozen visits in a day. Soon enough, we began seeing the same hopeful buyers–the Filipino couple, the three-hundred-pound guy who had the face of a baby, a pair of six-foot-tall redheaded teenage twins who spoke a middle-European tongue. By my fifth Sunday, in minutes I could privately scoff at telltale evidence of dry rot. Silk curtains draped as cunningly as a sari could not distract me from a sunless air shaft a few feet away, nor could lights of megawatt intensity seduce me into forgetting that in most of these apartments I would instantly suffer from seasonal affective disorder.

“You’ll be the first person to see this one,” Horton added by way of a bonus. I could feel the checkbook in my bag coming alive like Mickey’s broom in Fantasia.

When we stepped out of the elevator on the fourteenth floor, Mrs. Shelbourne gently knocked on a metal door that would look at home in any financial institution. From the other side, a floor creaked. A nurse in thick-soled shoes answered and raised an index finger to her lips, casting her eyes toward a shadowy room beyond. The scent of urine–human, feline, or both–crept into my nostrils, followed by a top note of mango air freshener. “Doctor’s sleeping.” My eyes strained to scan a wide room where old-fashioned blinds were drawn against the noon sun. An elderly woman, her hair scant and tufted, was folded into a wheelchair like a rag doll, despite pillows bolstering her skeletal frame. Dr. Walter looked barely alive. Mrs. Shelbourne placed her hand on my arm. “We shouldn’t stay long in this room. I’m sure you understand. Alzheimer’s.”

“I do–too well,” I said, rapidly beholding the high ceiling and dentil moldings, while memories of my mother, scrupulously archived yet too fresh to examine, begged for consideration. I pushed them away even as my mind catalogued herringbone floors withan intricate walnut border and the merest wink of a crystal chandelier. Mrs. Shelbourne grasped my arm and we hurried into a small, dark kitchen with wallpaper on which hummingbirds had enjoyed a sixty-year siesta. In front of the sink, which faced a covered window, linoleum had worn bare. There were scratched metal cabinets and no dishwasher, and I suspected the stove’s birth date preceded my own. I thought of my unfinished chapter, and cursed my wasted time.

Halfheartedly I lifted a tattered shade. “Holy cow,” I said, though only to myself. Sun reflected off the park’s vast reservoir, which appeared so close I thought I could stand on the ledge and swan-dive into its depth. Far below, I could see tree tops, lush as giant broccoli. The traffic was a distant buzz. I felt a tremor. The subway, stories below? No, my heart. Picking up my pace, I followed the brokers through the spacious dining room and down a hall where I counted off six closets. I peeked into a bathroom tiled in a vintage mosaic of the sort decorators encourage clients to re-create at vast expense. We passed through a starlet-worthy dressing room and entered a bedroom into which I could easily tuck my current, rented apartment, with enough space to spare for a study. As Mrs. Shelbourne pulled the hardware on draperies bleached of color, I could swear that a strobe had begun to pulse. From the corner of my eye I saw a black cat slink away while Horton kicked a dust bunny under the bed, but I took little note of either. As I stood by the window, I was gooey with the feeling I’d experienced when I first laid eyes on the Grand Canyon.

The silvery vista spread casually before me might be the most enchanted in the entire city. I closed my eyes, traveling through time. Women were skating figure eights in red velvet cloaks, their hands warmed by ermine muffs. Bells jingled in the evergreen-scentedair as horses waited patiently by sleighs. I blinked again and the maidens wore organdy, their porcelain skin dewy under the parasols shielding their intricate curls. I fast-forwarded to my girlhood and could imagine the large, glassy pond below was the crystal stream beside my grandparents’ log-hewn cabin in Wisconsin’s northern woods, the bone-chilling waters of Scout camp, perhaps Lake Como of my honeymoon scrapbook.

Beside this champagne view, the fifty-four other apartments I’d considered seemed like cheap house wine, including the possibilities that cost far more–almost every one. I pulled myself away from the window and looked back. Walls were no longer hung with faded diplomas, nor was the carpet worn thin. Mirroring the reservoir, the room had turned gray-blue. I saw myself writing at a desk by the window, lit by sunbeams, words spilling out so fast my fingers danced on the keyboard like Rockettes. This time my manuscript wasn’t a twenty-year-old singer-actress’ whiny rant. It was a novel, lauded by the critics and Costco customers alike.

I could see myself in this room. My face wore deep contentment. The bed was luxuriously rumpled, since a half hour earlier Jake and I had made love, and now he was brewing coffee in our brand-new kitchen, as sleekly designed as a sperm. Perhaps he’d already gone out to bike around the park or was walking our shelter-rescued puppy. Tallulah, the little rascal, loved to chase her ball down our twenty-foot hall.

In every way, I was home. Then I snapped out of it. I was wearing my real estate heart on my sleeve, all but drooling. Quincy Blue, you dumb cluck. I sensed Horton looking at me as if he were a cannibal in need of protein, and checked to see if he and Fran had excused themselves to decide whether they should triple the apartment’s price or merely double it. We walked past another bathroom, this one housing a tub as long as a rowboat, ambled back through the dim hallway, and ended in the living room.

“The view’s even better from here–a pity we can’t pull up the shades,” Mrs. Shelbourne whispered as she walked toward the statue slumping in the wheelchair and greeted her. “Hello, Eloise dear.” She took the woman’s listless hand. “It’s Frances. I wish you could sit at that piano”–she pointed to a piece of shrouded furniture–”and play me Chopin.”

The woman emitted a dry rattle, craned her neck toward Mrs. Shelbourne, and smiled. She was missing several teeth.

“If you wish,” she said clearly. Suddenly Dr. Walter tried to raise herself in the wheelchair. “If you would be so kind as to assist me.” The nurse lumbered to her side. On her aide’s sturdy arm, Dr. Walter walked toward the piano, her posture better than my own. She settled on the cracked black leather stool and stretched her knobby fingers. I covered my mouth with my hands, afraid I might gasp. Her hands fondled the ivories and began to play an unmistakable Chopin mazurka. The Steinway was out of tune andthe pianist wore a faded housecoat, but Dr. Walter’s rendition pleased her audience to the point that even Horton was wiping away tears. The concert continued for almost twenty minutes and then, as if someone had pulled a plug, the pianist’s hands froze. Like a small child, she looked around the room, confused. I was afraid she, too, might cry.

We clapped. “That was exquisite,” Mrs. Shelbourne said hoarsely as the nurse helped her patient back to the wheelchair. “Simply exquisite.”

Dr. Walter closed her eyes and in less than a minute was sleeping. Mrs. Shelbourne thanked the nurse and hurried Horton and me to the elevator. I waited for his chatter, but it was she who spoke. “Tell me your story. I can see from your face that you have one.” She looked at me as if she were the dean of women.